In his debut function, Christian Einshøj tends to the hidden wounds of household by rewinding to the previous. As a younger boy, he moved from Norway to Denmark along with his dad and mom and his brother Frederik. The change was presupposed to be momentary. Tragedy, nevertheless, struck: Kristoffer, certainly one of Einshøj’s brothers, was born with a terminal situation. His sickness and later loss of life solid a darkish shadow over a as soon as tightly knit family: they might by no means return to Denmark to reside as a household once more.
By means of voiceover, Einshøj recollects this painful historical past with profound introspection, in addition to humour. Grainy residence movies, largely shot by Einshøj’s father, Søren, resurface, however whereas Søren used his digital camera to protect Kristoffer’s reminiscences earlier than his loss of life, Einshøj turns to film-making as a method of reconciliation. Unable to course of Kristoffer’s loss of life, Søren retreats into the numbing grind of labor. In the meantime, Einshøj has grown other than his surviving brothers, Frederik and Alex, each of whom expertise intervals of melancholy because of their shared trauma.
It’s maybe as a result of confessional nature of Einshøj’s undertaking that, after years of silence, the brothers lastly speak in confidence to each other about their deepest fears and anxieties. At instances, the documentary has the freewheeling appeal of a highway film, with Einshøj embarking on numerous journeys to deliver his scattered household collectively. In a single significantly touching sequence, stuffed with the deadpan humour of Einshøj’s narration, the three brothers gown up in superhero costumes. Behind them is the majestic mountain vary of their childhood residence; with the younger males now standing shoulder to shoulder, a gorgeous image of affection and unity emerges from the heartaches of yesterday.