Picture: (From Left to Proper) Courtesy of the artist, Amitava Saha
It’s been a stacked week for brand new music, with heavyweights and rising voices alike delivering standout drops. Karan Aujla kicked off his P-Pop Culture era with the swaggering single “MF Ghabru!,” whereas Divine returned to his fiery type on the hard-hitting “Aag.” Indie mainstays additionally made their mark—Dualist Inquiry supplied up the nostalgic, synth-driven “Get You Again,” and W.i.S.H. teamed up with Panther for the punchy “Bolo Bolo.” Elsewhere, Gini’s emotive “Naadaani” tugged at heartstrings, Farhan Khan delivered a fragile ballad with “Pehli Mohabbat,” and tricksingh staked his declare with the fierce, no-holds-barred “Taaj.”
Karan Aujla – “MF Ghabru!”
Marking the lead single from his upcoming album P‑Pop Tradition, which drops August 22, Karan Aujla releases “MF Ghabru!” on August 1, pairing his trademark Punjabi swagger with catchy pop sensibilities.
Divine – “Aag”
Divine storms again with “Aag,” a visceral declaration of resilience rooted within the chaos and grit of Mumbai life. Co‑composed with Abhijay Sharma, the observe arrives with a intense, VFX‑heavy music video that treats the town itself as a personality within the narrative.
Gini – “Naadaani”
Gini’s “Naadaani” is a poetic and private reflection on grief, longing, and unfulfilled love, delivered in hushed, emotionally resonant vocals over minimal instrumentation. As described by Radio and Music, the observe feels extra like a meditation than a music—charged with uncooked emotional weight from its earliest strains.
W.i.S.H. & Panther – “Bolo Bolo”
“Bolo Bolo” is a daring and enjoyable observe the place W.i.S.H. and Panther let you know to talk your thoughts and cease holding again. Set to a catchy beat with Punjabi touches, the music mixes perspective and vitality in the easiest way.
Dualist Inquiry – “Get You Again”
Sahej Bakshi, often known as Dualist Inquiry, is again with a brand new observe. “Get You Again” is each joyful and conflicted, capturing the sensation of wanting somebody however not being positive in regards to the timing—when your coronary heart and head don’t agree, however you retain dancing anyway. “Get You Again is what occurs when a dancefloor anthem will get twisted up in its personal emotions,” says Bakshi. “It’s bouncy, driving, dreamy, and just a bit ridiculous, sufficient to maintain our bodies transferring and hearts confused. The entire thing looks like a high-speed chase scene the place you’re fleeing from a solitary-flower-wielding pursuer who needs you again, but it surely’s too little, too late.”
Farhan Khan – “Pehli Mohabbat”
Farhan Khan returns with “Pehli Mohabbat,” a heartfelt love ballad from Alif Laila (Half 1)—India’s first-ever hip-hop idea album. Identified for his poetic Urdu rap, Farhan captures the sensation of falling in love in a manner that feels model new, even when it’s not your first time. “Pehli Mohabbat isn’t your routine rap music,” he says. “It’s extra like my melody—recent and uncooked.”
tricksingh – “Taaj”
With “Taaj,” tricksingh shifts into emotionally charged terrain, exploring the digital residue of affection misplaced—late-night scrolling via reminiscences, chasing ghosts in chat logs, the ache of one-sided devotion. The observe permits area for slow-burn storytelling over atmospheric manufacturing, voicing the frustration and longing of unreciprocated connection. Followers describe it as his most deeply affecting launch but, each lyrically sharp and sonically immersive.
Chammeili – “Name Me When”
Chammeili, the mission of Kaamya Talwar Sharma, returns with “Name Me When,” the lead single from her upcoming sophomore album I Love Huge Previous Canine (out October 17). Launched on July 31, the observe is a dreamy, emotionally layered reflection on heartbreak—one which mixes tender bitterness with the ache of unresolved love. “It’s troublesome to overlook somebody a lot understanding there isn’t a going again,” Sharma says. “Making it was cathartic… It’s a music folks can sing alongside to of their automobiles within the final moments of heartbreak, proper earlier than they transfer the fuck on.”
Anirudh & Sivakarthikeyan – “Salambala”
The primary single from Madharaasi is right here. “Salambala,” composed by Anirudh Ravichander and sung with fireplace by Sai Abhyankkar, flips the standard breakup music formulation on its head. Filled with swagger, perspective, and a beat that doesn’t let up, the observe captures the high-octane spirit of AR Murugadoss’ upcoming movie starring Sivakarthikeyan. Anirudh calls it “enjoyable and unpredictable,” whereas Murugadoss says it “units the tone for the insanity that’s coming.”
Kavya – Hyperreal
Kavya is again with Hyperreal, her first EP in 4 years, launched on August 1. Identified for mixing music, trend, and movie, Kavya brings all her inventive sides collectively on this four-track mission. Hyperreal takes listeners via a daring, dreamlike soundscape with heavy beats, distorted guitars, and emotional depth. It follows her debut EP Know Me Higher, however this time, KAVYA is louder, freer, and extra assured. She describes the brand new EP as a turning level—one thing she made as a real reflection of the producer she’s at all times wished to be. Songs like “Stolen Video games” and “Submission” are already out, whereas “Elf’s Manifestation” and “FELT” arrive with the complete EP.