“Toto, I’ve a sense we’re not in Kansas anymore.”
Certainly, Lainey Wilson is flying excessive above Texas in her present single, “Someplace Over Laredo,” enjoying off essentially the most iconic melodic interval within the best-known music from The Wizard of Oz, the Judy Garland film that spawned the “Kansas” dialogue. That melodic hook is a one-octave soar that launches the refrain of “Over the Rainbow”; that ingredient makes its means into the opening of Lainey’s “Laredo” refrain, which additionally rhymes with the unique.
“In case you say ‘someplace over the rainbow’ quick 10 instances, it type of feels like ‘someplace over Laredo,’ ” Lainey notes. “That struck me as an ideal match.”
Songwriter Andy Albert (“Considering ’Bout You,” “Good Lady”) had an identical thought when the concept appeared seemingly out of nowhere in 2024.
“I liked how laborious the rhyme was and the way good it was with the unique,” Albert recollects. “I used to be similar to, ‘There may very well be one thing actually cool right here if we unpack this story.’ ”
Albert sat on “Laredo” for a bit, ready for the precise state of affairs to current itself. Oddly sufficient, that second got here whereas in line for the VelociCoaster at Common Orlando. Albert and songwriter Trannie Anderson (“Coronary heart Like a Truck,” “It Gained’t Be Lengthy”) visited the theme park on Aug. 24 once they had a morning to kill between performances throughout a two-night songwriter present booked on the Dr. Phillips Middle for the Performing Arts, and so they threw out music concepts throughout the lengthy look forward to the trip. Albert pitched the “Laredo” idea, and so they determined to work on it once they returned to Nashville, with Lainey in thoughts as a possible suitor.
Anderson sat on the piano once they began, enjoying a melancholy development that established the tone. They mapped out the important elements of the refrain melody, fastidiously diverting from the unique after mimicking the “Some-the place” octave soar.
“We had been actually intentional about making an attempt to verify we had been off the melody the remainder of the music,” Albert says.
An important change from “Rainbow” got here with the “Laredo” refrain’ second chord — Anderson moved from the tonic to a flatted seventh as an alternative of the acquainted minor third — and it compelled the melody down a distinct path.
With the fundamentals of the refrain set, they shifted to the opening verse, utilizing a aircraft to place the protagonist within the clouds above Laredo. Initially, they deliberate for her to journey from Dallas to California, however a fast search of Google Maps recommended that flight path wouldn’t go close to the Texas border. So that they began the flight in Houston for realism. Touring over Laredo stirred recollections of a rodeo cowboy from the character’s previous — the writers forged the couple as “Lone Star-crossed lovers” — and the refrain embraced the lady’s honky-tonk path within the setup line, deftly referencing Alan Jackson in her “chasin’ this neon rainbow” wordplay.
Briefly order, Lainey introduced the “Coronary heart Wranglers” — her time period for her writing partnership with Anderson and (no relation) Dallas Wilson (“Coronary heart Like a Truck,” “Can’t Have Mine”) — on the highway throughout the Nation’s Cool Once more Tour. After writing a few songs earlier within the journey, they discovered themselves sitting exterior Lainey’s bus on the Adams Middle in Missoula, Mont., on Sept. 15, staring on the mountains and the wild Montana skies.
“I simply knew I wanted to indicate her this concept in that second,” Anderson remembers. “I didn’t have an instrument on me, so I simply sang the beginnings of this music a cappella and stored a beat on the aspect of my folding chair.”
Lainey was offered. They tweaked the primary two stanzas and wrote a second verse that captures the loneliness that accompanies life whereas touring, a state of affairs that was central to Dorothy’s character in Oz.
“‘Laredo’ isn’t only a place — it’s a feeling,” Lainey explains. “It speaks to anybody who has ever seemed again or remembered one thing and let that reminiscence form who they’re. It additionally connects to all of these [small American] cities and people who find themselves simply looking for their means house.”
For the bridge, Lainey needed to slip in a number of extra “Rainbow” references — the bluebirds that fly in that music had been remodeled into blackbirds in “Laredo,” and so they repurposed the “as soon as in a lullaby” line from the unique.
“She liked the considered utilizing the ‘as soon as in a lullaby,’ ” Anderson says. “And I actually needed to make use of the ‘blackbirds’ line as a result of that simply felt so spot-on with Texas. I grew up in Texas, and there are blackbirds freaking all over the place.”
Dallas sang on the piano/vocal work tape, which Lainey, Anderson and tour mate Zach High first heard on a non-public aircraft someplace over Idaho. Lainey tried recording “Laredo” a number of instances with producer Jay Joyce (Eric Church, Miranda Lambert), however had hassle getting the vibe proper.
“It took the scenic route,” she says. “I’m speaking about again roads and all. It kicked off its boots and stayed awhile. We reduce it a number of instances, we rearranged it, we lived with it, however simply stored chasing the sensation that we knew that we wanted to have.”
Over the following months, Anderson’s writer — Sony Music Publishing, which controls the “Rainbow” copyright — gave its blessing to the brand new use of the basic, with authentic composers Harold Arlen and E.Y. “Yip” Harburg credited as “Laredo” co-writers. In the meantime, whereas rehearsing in Copenhagen on March 12, Lainey and her band discovered the precise course and nailed it once they returned to Nashville. Fiddler Sav Madigan slipped in one other “Rainbow” reference within the studio, making use of the two-note verse melody as an instrumental enhancement to the “Laredo” bridge.
Intelligent because the octave soar could also be, that twist can be tough — the unique is so iconic that it’s robust to not break into the “Rainbow” melody within the refrain. “It’s not straightforward,” Albert says. “It took me lots of training earlier than I used to be assured singing it at a writers spherical.”
“After I get to that ‘some-where’ word,” Lainey provides, “I catch myself considering once more — similar to I’ve completed with [the long note in] ‘Coronary heart Like a Truck’ — ‘Why on this planet do I maintain doing this to myself?’ However actually, that word is simply a part of what makes the music what it’s, vocally. It wasn’t concerning the technical aspect of issues. It was all about placing myself into that emotional place of the music.”
“Laredo” is certainly one of 5 new tracks deliberate for the deluxe model of her Whirlwind album, due Aug. 22, and Damaged Bow launched it to radio through PlayMPE on Could 22, using delicate scarecrow imagery within the accompany paintings. Whether or not it reminds listeners of Dorothy — or of the latest Ozderived film, Depraved, or just connects to fan experiences with distance and loneliness — “Laredo” tugs successfully at some tough feelings. It’s already at No. 24 after 5 weeks on the Nation Airplay chart dated July 5.
“It’s my job as a storyteller to jot down music for everyone,” Lainey says. “And I really feel like this music has one thing to supply everyone.”